Two architects’ minds created this vessel – and it shows: The shape kept simple and clean, yet unexpected. It looks like a beechnut – triangular from one side and lens-like from the other, the copper piece only gently touches the ground and keeps in balance. The typical technique of copper smithing, the hammering of a flat sheet into a three dimensional object, has been replaced by a constructivist-architecture approach of reassembling (soldering) sheets together to create a new form. The display of craftsmanship is detached from the object itself and guided towards the decorative aspects of surface texture. While the copper vessel is decorative in its appearance, it fulfills a purpose – being a vessel – even though in an unexpected way... And isn’t the uncommon the inspiring one?

Arshad Faruqui & André Meyerhans

Type
Unique

Material
Copper

Size
37cm x 37xm x 8cm

Year
2022

Status
Private Collection, Middle East

Two architects’ minds created this vessel – and it shows: The shape kept simple and clean, yet unexpected. It looks like a beechnut – triangular from one side and lens-like from the other, the copper piece only gently touches the ground and keeps in balance. The typical technique of copper smithing, the hammering of a flat sheet into a three dimensional object, has been replaced by a constructivist-architecture approach of reassembling (soldering) sheets together to create a new form. The display of craftsmanship is detached from the object itself and guided towards the decorative aspects of surface texture. While the copper vessel is decorative in its appearance, it fulfills a purpose – being a vessel – even though in an unexpected way... And isn’t the uncommon the inspiring one?

Arshad Faruqui & André Meyerhans

Type
Unique

Material
Copper

Size
37cm x 37xm x 8cm

Year
2022

Status
Private Collection, Subcontinent

Two architects’ minds created this vessel – and it shows: The shape kept simple and clean, yet unexpected. It looks like a beechnut – triangular from one side and lens-like from the other, the copper piece only gently touches the ground and keeps in balance. The typical technique of copper smithing, the hammering of a flat sheet into a three dimensional object, has been replaced by a constructivist-architecture approach of reassembling (soldering) sheets together to create a new form. The display of craftsmanship is detached from the object itself and guided towards the decorative aspects of surface texture. While the copper vessel is decorative in its appearance, it fulfills a purpose – being a vessel – even though in an unexpected way... And isn’t the uncommon the inspiring one?

Arshad Faruqui & André Meyerhans

Type
Unique

Material
Copper

Size
45cm x 45xm x 5cm

Year
2022

Status
Private Collection, Europe

Two architects’ minds created this vessel – and it shows: The shape kept simple and clean, yet unexpected. It looks like a beechnut – triangular from one side and lens-like from the other, the copper piece only gently touches the ground and keeps in balance. The typical technique of copper smithing, the hammering of a flat sheet into a three dimensional object, has been replaced by a constructivist-architecture approach of reassembling (soldering) sheets together to create a new form. The display of craftsmanship is detached from the object itself and guided towards the decorative aspects of surface texture. While the copper vessel is decorative in its appearance, it fulfills a purpose – being a vessel – even though in an unexpected way... And isn’t the uncommon the inspiring one?

Arshad Faruqui & André Meyerhans

Type
Unique

Material
Copper

Size
45cm x 45xm x 5cm

Year
2022

Status
Private Collection, Europe

Two architects’ minds created this vessel – and it shows: The shape kept simple and clean, yet unexpected. It looks like a beechnut – triangular from one side and lens-like from the other, the copper piece only gently touches the ground and keeps in balance. The typical technique of copper smithing, the hammering of a flat sheet into a three dimensional object, has been replaced by a constructivist-architecture approach of reassembling (soldering) sheets together to create a new form. The display of craftsmanship is detached from the object itself and guided towards the decorative aspects of surface texture. While the copper vessel is decorative in its appearance, it fulfills a purpose – being a vessel – even though in an unexpected way... And isn’t the uncommon the inspiring one?

Arshad Faruqui & André Meyerhans

Type
Unique Piece

Material
Copper

Size
61cm x 61cm x 21cm

Year
2022

Status
Private Collection Europe

Two architects’ minds created this vessel – and it shows: The shape kept simple and clean, yet unexpected. It looks like a beechnut – triangular from one side and lens-like from the other, the copper piece only gently touches the ground and keeps in balance. The typical technique of copper smithing, the hammering of a flat sheet into a three dimensional object, has been replaced by a constructivist-architecture approach of reassembling (soldering) sheets together to create a new form. The display of craftsmanship is detached from the object itself and guided towards the decorative aspects of surface texture. While the copper vessel is decorative in its appearance, it fulfills a purpose – being a vessel – even though in an unexpected way... And isn’t the uncommon the inspiring one?

Arshad Faruqui & André Meyerhans

Type
Set of 3

Material
Copper

Size
37cm x 37xm x 8cm

Year
2022

Status
Available

ENLIGHTEN - Aladdin's Lamp

Once upon a time ...

... there were Roomours ...

... that he who could develop a design that is contemporary, bold, eclectic and glamorous - a fusion between modern oriental and pop art - and

create an inspiring customer experience (create something over a 6m long display table in the center of the store to attract passers-by and add an interesting feel to the store) ...

... would unlock the spell and turn 1001 Arabian Nights into days!

An amazingly creative team took upon themselves this challenging task and ...

... embedded a star inside a magig gem that even enlightened Shahryar, the Sasanian King.

Type
Commission for brand “Roomours” by Sara

Material
CNC cut and welded metal sheet with brass finish and colored acrylic glass

Size
Diameter: 940mm; diameter: 610mm; diameter: 290mm

Year
2020

Status
Prototype

The artwork (De)Constructed Culture was commissioned for the Embassy of Switzerland in Abu Dhabi, UAE for the public area and comprises of seven elements, freely arranged and sequenced to best suit the architectural space.

Patterns are some of the more iconic elements of the Middle Eastern cultures. These decorative elements have developed mainly because the prevailing religion in the region, Islam, refrains from depicting figurative elements. Various techniques developed over time to create these patterns. One of them uses identical or similar tiles which are put in sequence and/or rotated to create larger formations. Another form consists of continuous, straight lines which are carefully redirected on imaginary axis of reflection to create a net-like pattern.

The artwork (De)Constructed Culture take an Arabic net-like pattern and applies it to an asymmetrical, square-based pyramid. In the process of applying the pattern on the topographic underground, a deformation of the actual pattern happens. Depending on the viewing angle, this deformation is more or less obvious. These pyramids work like tiles and follow the same logic of arrangement as their originals described earlier. Hence, the artwork combines two typical, Middle Eastern principles used to create patterns.

References to the colors of the Swiss flag are incidental. The color has been chosen as it is complimentary to green and, hence, indicates the absence of religious intentions which is usually intrinsic to Arabic patterns.

Dutch graphic artist M. C. Escher created the net-like pattern and gave it his usual twists: he offsets the defining lines by one thickness at one point, something unknown in patterns originating from the Middle East. Which leaves the question of how ethnically immaculate do the “ingredients” and the “creators” of a cultural output need to be in order to be considered part of exactly that culture?

Type
Edition of 9

Material
stainless steel, brushed finish; aluminum backing, color paint finish

Size
1.2m x 1.2m x 0.5m

Year
2014

Status
#8 available

The artwork is based upon traditional, Islamic patterns or modernized derivates of it. The patterns are animated along an underlined path. This dynamic intervention increases and decreases the transparency of the stele. The sculptural shape derives from the understanding of patterns as a result of folding. The illumination intensifies pattern, shape and color during the night.

Type
Edition of 3

Material
steel; metallic finish outside, color-paint finish inside; illuminated

Size
height 2.4m

Year
2012

Status
#2 available

Geometrical patterns are deeply rooted in the Islamic culture. How can this traditional and complex idea of patterns be translated into a contemporary language? The Mashrabia Cube
uses an aperiodic tiling principle combined with a dynamic deformation to find a modern yet cultural specific expression.

Type
Edition of 4

Material
stainless steel, brushed and color paint finish, illuminated

Size
40cm x 40cm x 40cm

Year
2010

Status
Sold to individual collectors

Poetic exploration of aperiodic patterns and their impied cultural connotation. Selectively aplied elements to a none-Arabesque system allows a Middle Eastern affinity because the its elements carry the possibility of such a connotation. An alternative way to create a contemporary, culturally specific design of the region.

Type
Unique Piece

Material
Polymere sheet, acrylic, wood and LED spot

Size
180cm x 35cm

Year
2013

Status
Private Collection

The Suncatcher interprets the idea of patterns along deformation and distortion instead of symmetry and hierarchy as traditionally used. The shading device plays with the dominant element of the region - the sun - and notes in a poetic way the hours of a day. The shadow pictures change continuously and represent the ultimate distortion of the original grid.

Images shows renderings at
08:30am
10:30am
12:30am
14:30am

Type
Unique

Material
PVC fabric

Size
8m x 8m x 0.8m

Year
2007 (concept)

Status
#2 available

Nine tubes fly a formation in space like an aerobatic patrol. This synchronal air ballet forms a bench, turns around and flattens to a lounge chair, rises with a twist to screen off views before
fanning apart to create a huge sun sail and channeling again to become the back side of the very same bench.

Images show installation at Yas Viceroy Hotel in Abu Dhabi. 

Technical data: total weight app. 950kg, dismantable into seven pieces for easy transport

Type
Unique Piece

Material
mild steel, powder coat finish, outdoor fabric

Size
6m x 3.5m x 4.5m

Year
2006

Status
Acquired by an institution

W Hotels attempt to include the letter W wherever possible - the swimming pool is known as "Wet", the concierge is known as "Whatever Whenever", the laundry bag is known as "Wash" and so on. 

This joyful-unique approach of W Hotel is used for an artistic intervention based on a tongue twister that includes the letter W wherever possible. And because the weather is a topic that is not only generally widespread in Dubai but also often debated in hotel lobbies, a weather related W tongue twister seems to be perfect.

Life should be colourful and since one picture says more than a thousand words, the tongue twister is translated into a visual spectrum. Every letter is allocated to a specific color. The color scheme as a whole has been developed by no other than the grand master of modern architecture: Le Corbusier.

Type
Commissioned Work

Material
Color-paint finish

Size
45m x 3.4m

Year
2017

Status
Work in progress

The basic element has an organic and unique appearance on each face. Arranged in orthogonal order yet in random orientation, a fabric with an ever-changing characteristic develops. The arrangement of differently colored elements within the ensemble superimposes a further structure which allows an alternative reading.

Type
Unique Piece

Material
GRP with color paint finish and acrylic glass

Size
61cm x 61cm x 21cm

Year
2011

Status
Available

The basic element has an organic and unique appearance on each face. Arranged in orthogonal order yet in random orientation, a fabric with an ever-changing characteristic develops. The arrangement of differently colored elements within the ensemble superimposes a further structure which allows an alternative reading.

Type
Unique Piece

Material
GRP with color paint finish and acrylic glass

Size
61cm x 61cm x 21cm

Year
2011

Status
Available

The basic element has an organic and unique appearance on each face. Arranged in orthogonal order yet in random orientation, a fabric with an ever-changing characteristic develops. The arrangement of differently colored elements within the ensemble superimposes a further structure which allows an alternative reading.

Type
Unique Piece

Material
GRP with color paint finish and acrylic glass

Size
61cm x 61cm x 21cm

Year
2011

Status
Available

The basic element has an organic and unique appearance on each face. Arranged in orthogonal order yet in random orientation, a fabric with an ever-changing characteristic develops. The
arrangement of differently colored elements within the ensemble superimposes a further structure which allows an alternative reading.

Type
Unique Piece

Material
GRP with color paint finish and acrylic glass

Size
101cm x 101cm x 21cm

Year
2011

Status
Available

The basic element has an organic and unique appearance on each face. Arranged in orthogonal order yet in random orientation, a fabric with an ever-changing characteristic develops. The
arrangement of differently colored elements within the ensemble superimposes a further structure which allows an alternative reading.

Type
Unique Piece

Material
GRP with color paint finish and acrylic glass

Size
101cm x 101cm x 21cm

Year
2011

Status
Available

The basic element has an organic and unique appearance on each face. Arranged in orthogonal order yet in random orientation, a fabric with an ever-changing characteristic develops. The
arrangement of differently colored elements within the ensemble superimposes a further structure which allows an alternative reading.

Type
Unique Piece

Material
GRP with color paint finish and acrylic glass

Size
101cm x 101cm x 21cm

Year
2011

Status
Available

The 3D Tiles are an investigation on random-patterns based on two-dimensional elements that are able to span the entire 3dimensional volume of the element the entity is built upon. Color and reflection define space and imply depth, distort and reassemble space.

Type
Commissioned work

Material
stainless steel, color paint finish and acrylic

Size
10m x 1.4m x 0.14m

Year
2012

Status
Installed in the main lobby of Yas Viceroy Hotel, Abu Dhabi

The 3D Tiles are an investigation on random-patterns based on two-dimensional elements that are able to span the entire 3dimensional volume of the element the entity is built upon. Color and reflection define space and imply depth, distort and reassemble space.

Type
Unique Piece

Material
stainless steel, color paint finish and acrylic

Size
102cm x 102cm x 11cm

Year
2010

Status
Acquired by the Government of Switzerland

The 3D Tiles are an investigation on random-patterns based on two-dimensional elements that are able to span the entire 3dimensional volume of the element the entity is built upon. Color and reflection define space and imply depth, distort and reassemble space.

Type
Unique Piece

Material
stainless steel, color paint finish and acrylic

Size
102cm x 102cm x 11cm

Year
2010

Status
Available

The 3D Tiles are an investigation on random-patterns based on two-dimensional elements that are able to span the entire 3dimensional volume of the element the entity is built upon. Color and reflection define space and imply depth, distort and reassemble space.

Type
Unique

Material
stainless steel, color paint finish and acrylic

Size
102cm x 102cm x 11cm

Year
2010

Status
acquired by private collection

By cutting and bending parts out of a plane, something new is created without any waste. As all elements are part of the same original sheet, the resulting object is harmonious in itself. Cut outs are similar and in a random arrangement. The visual over-stimulation allows grouping due to similarity yet not recognition of repetition.

Type
Triptych

Material
mild steel, color paint finish, backlit

Size
90cm x 90cm (each)

Year
2009

Status
Acquired by private collector

The Centipede bench follows the simple “bend-it” principle: by cutting and bending elements out of a flat sheet, something new is created. As all elements are part of the same, plane surface, 
the resulting object is harmonious in itself. This design concept has also an ecological aspect: no waste is created.

Type
Unique Piece

Material
Aluminum, color paint finish

Size
200cm x 38cm x 43cm

Year
2006

Status
Acquired by an institutional collection

This artwork explores the random tiling with identical elements in a two-dimensional, orthogonal system. The units already form a carpet-like structure where the individual piece disappears in
the whole. The shimmer of light as well as the color reflecting from the back enhance the pattern and make the arrangement appear floating on the wall. 

Type
Unique Piece

Material
aluminum, color paint finish, backlit

Size
118cm x 118cm

Year
2010

Status
Available

This artwork explores the random tiling with identical elements in a two-dimensional, orthogonal system. The units already form a carpet-like structure where the individual piece disappears in
the whole. The shimmer of light as well as the color reflecting from the back enhance the pattern and make the arrangement appear floating on the wall. 

Type
Unique Piece

Material
Stainless stell, color paint finish

Size
118cm x 118cm

Year
2010

Status
Installed at Yas Viceroy Hotel, Abu Dhabi

This artwork explores the random tiling with identical elements in a two-dimensional, orthogonal system. The units already form a carpet-like structure where the individual piece disappears in
the whole. The shimmer of light as well as the color reflecting from the back enhance the pattern and make the arrangement appear floating on the wall. 

Type
Unique Piece

Material
Stainless Stell, color paint finish

Size
118cm x 118cm

Year
2010

Status
Installed at Yas Viceroy Hotel, Abu Dhabi

This artwork explores the random tiling with identical elements in a two-dimensional, orthogonal system. The units already form a carpet-like structure where the individual piece disappears in
the whole. The shimmer of light as well as the color reflecting from the back enhance the pattern and make the arrangement appear floating on the wall. 

Type
Unique Piece

Material
Stainless Stell, color paint finish

Size
118cm x 118cm

Year
2010

Status
Installed at Yas Viceroy Hotel, Abu Dhabi

The Shifting Dunes is an investigation on random patterns and the point where individual elements lose their authenticity yet the composition does not dissolve in the “noise” of a pattern. The shape of each element is a result of loss-less bending.  

Type
Unique Piece

Material
stainless steel, mirror polish and color paint finish

Size
90cm x 90cm x 14cm

Year
2010

Status
Available

Simple bending transforms a sheet of metal into a side table. The strong form copes easily with the dominant pattern – a bi-directional, orthogonal structure which spreads homogeneously
across the sheet. The pattern is reinterpreted by grouping elements according to the method of fractals thus giving it a more dynamic character. 

Type
Edition of 7

Material
aluminum, color paint finish

Size
138cm x 138cm x 54cm

Year
2012

Status
Available

The Coffee Table uses a traditional, Emirati pattern found in the historic distric of Al Fahidi on Dubai Creek. The linear decoration changes direction in one of its geometric, secundary axis. The design is emphasized by separating it from the table top to form the legs of the side table.

Type
Unique Piece

Material
Aluminum, color paint finish

Size
138cm x 138cm x 54cm

Year
2012

Status
Private Collection

The Space Clips can be used as side tables or stools. The series applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes
and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 43cm

Year
2011

Status
Available

The Space Clips can be used as side tables or stools. The series applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes
and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 43cm

Year
2011

Status
Available

The Space Clips can be used as side tables or stools. The series applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes
and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 43cm

Year
2011

Status
Available

The Space Clips can be used as side tables or stools. The series applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes
and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 43cm

Year
2011

Status
Available

The Space Clips can be used as side tables or stools. The series applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes
and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 43cm

Year
2011

Status
Available

The Space Clips can be used as side tables or stools. The series applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes
and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 43cm

Year
2011

Status
Available

The sculptural pieces of furniture represent a conceptual design idea where an object is created out of a flat sheet solely though bending. Folding thereby not only creates the third dimension, it also ensures stability – a principle taken advantage of in many designs throughout different industries. This principle would ideally allow to manufacture products without any waste and as such embrace the idea of sustainability in a new way.

An entirely new geometry has been developed that implies to follow the principles of Arabic principles yet does not. The Arabesque pattern is part of a larger research to develop a contemporary design language based on traditional patterns which can be applied to different creative fields. Key element are mechanisms to instill precise characteristics that evoke curated and specific associations.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
150cm x 32cm x 43cm

Year
2011

Status
Available

The sculptural pieces of furniture represent a conceptual design idea where an object is created out of a flat sheet solely though bending. Folding thereby not only creates the third dimension, it also ensures stability – a principle taken advantage of in many designs throughout different industries. This principle would ideally allow to manufacture products without any waste and as such embrace the idea of sustainability in a new way.

A traditional pattern has been animated to create something new that leans away from its origin. The Arabesque pattern is part of a larger research to develop a contemporary design language based on traditional patterns which can be applied to different creative fields. Key element are mechanisms to instill precise characteristics that evoke curated and specific associations.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
150cm x 32cm x 43cm

Year
2011

Status
Available

The sculptural pieces of furniture represent a conceptual design idea where an object is created out of a flat sheet solely though bending. Folding thereby not only creates the third dimension, it also ensures stability – a principle taken advantage of in many designs throughout different industries. This principle would ideally allow to manufacture products without any waste and as such embrace the idea of sustainability in a new way.

A script has been developed that has the characteristics of patterns. At the 1003 “sit – think – enjoy – be” Bench, the pattern has a more linear structure, like a string of pearl or a message in the Morse script. However, multi-lined texts would all of a sudden become a two-dimensional pattern.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
150cm x 32cm x 43cm

Year
2011

Status
Available

The decorative elements of the Space Chairs applies deformation, decomposition, fractal reading and selective grouping to patterns following traditional schemes and explores aperiodical structures. The process allows a reinterpretation of historic geometries as well as a contemporary understanding of their principles.

Type
Edition of 7

Material
Aluminum, color paint finish

Size
43cm x 43cm x 76cm

Year
2012

Status
Available

SAHTEIN (Arabic for enoy / bon appetit)!

Once upon a time ...

... there were Roomours ...

... that he who could develop a design that is contemporary, bold, eclectic and glamorous - a fusion between modern oriental and pop art - and ...

... applicable to tableware & other products ...

... would unlock the spell and turn 1001 Arabian Nights into days!

An amazingly creative team took upon themselves this challenging task and ...

... brewed together a feast of colors that tickles even the taste buds of Shahryar, The Sasanian King! SAHTEIN!

Type
Commission for brand “Roomours” by Sara

Material
Digital design for baloon print on ceramics

Size
Various

Year
2020

Status
Prototype

Once upon a time ...

... there were Roomours ...

... that he who could develop a design that is contemporary, bold, eclectic and glamorous - a fusion between modern oriental and pop art - and ...

... serve as a brand identity ...

... would unlock the spell and turn 1001 Arabian Nights into days!

An amazingly creative team took upon themselves this challenging task and ...

... spread a rumour that even caught the attention of Shahryar, the Sasanian King!

Type
Commission for brand “Roomours” by Sara

Material
Digital design for print on various materials and objects

Size
Various

Year
2020

Status
Prototype

Not the geometric logic of the arrangement evokes a cultural connotation but the visual nature of the elements themselves. Only linear- platonic shapes associate with Islamic arts even if the arrangement follows an aperiodic tessellation. Combining these with floral-organic shapes a super-composition culture emerges.

Type
Quadriptych - Edition of 3

Material
350gsm paper, CNC laster cut with colored backing

Size
84cm x 120cm per panel for free book-match arrangement

Year
2015

Status
Public and Private Collections in Middle East and Europe

A set of Arabesque patterns that are dynamically animated to lose the static appearance inherent to their systems. The artwork explores the possibilities of separating element and system in order to find a contemporary design language. It furthermore serves as the base to extrapolate the composition into the third dimension.

Type
Unique Piece - Set of 3 Diptychs

Material
180gsm, CNC laser cut, 1cm off-set mounted

Size
70cm x 170cm (per Diptych)

Year
2014

Status
Private Collection

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available

Geometrical patterns are deeply rooted in the Middle Eastern culture. The series investigates the specifics of such designs and seeks to define the element which allows Arabic connotation, to isolate it and to reuse it in a contemporary way. Every pattern is defined by elements and a system. Arabic association is only achieved if the elements are linear platonic, regardless of the system. 

Type
Edition of 7

Material
acid-free paper, natural, 180g

Size
42cm x 42cm

Year
2013

Status
#3 available